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EVENT Mar 05
ABSTRACT Sep 30
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Horror Within and Beyond the Nation (NeMLA 2020) (NeMLA)

Boston, MA
Organization: NeMLA
Event: NeMLA
Categories: American, Comparative, British, Popular Culture, Literary Theory, African-American, Colonial, Revolution & Early National, Transcendentalists, 1865-1914, 20th & 21st Century, Medieval, Early Modern & Renaissance, Long 18th Century, Romantics, Victorian, 20th & 21st Century, Cultural Studies, Film, TV, & Media
Event Date: 2020-03-05 to 2020-03-08 Abstract Due: 2019-09-30

To what extent does horror operate as an allegory for the nation and the body politic? To what extent can horror function as an aesthetic space to engage and critique the sociocultural, political, and historical contexts from which it emerges? And what happens if or when horror—a genre that seems inherently interested in troubled borders, marginalized spaces, and unstable boundaries—reaches beyond the nation, into transnational and global contexts? As Sophia Siddique and Raphael Raphael write in Transnational Horror Cinema: Bodies of Excess and the Global Grotesque (2016), “From its origins, what would eventually come to be called ‘the horror genre’ has been deeply transnational both in contexts of production and reception.” Does this transnational valence iterate differently among media—e.g. novels, films, video games, and graphic novels—or is there something about twenty-first century horror that is uniquely global?

This proposed panel invites papers that interrogate the relationship between twentieth- and twenty-first century horror and the critical categories of the nation, the global, and the transnational. How do the particular conventions, tropes, and forms most associated with horror facilitate and/or complicate its relationship to the nation? Are the conventions, tropes, and forms of particular national traditions truly exportable and what are the limits of their cultural adaptability? Have recent examples of contemporary horror resisted the transnational and instead laid claim to specifically national visions of horror? By exploring these questions, this panel seeks not only to examine how the category of the nation and the transnational have shaped contemporary horror, but how what is still often denigrated as a marginal genre, horror itself, can help us continue to theorize the nation and the transnational as well. 

Interested panelists should submit a proposal abstract of 300-500 words, including a brief bio, to Dr. Christopher McVey through the NeMLA portal: https://www.cfplist.com/nemla/Home/S/18307

https://www.cfplist.com/nemla/Home/S/18307

cmcvey@bu.edu

Dr. Christopher McVey