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Threshold, Boundary, and Crossover in Fantasy

York, North Yorkshire, United Kingdom
Organization: University of York Fantasy Discussion Group
Categories: Postcolonial, American, Hispanic & Latino, Comparative, British, Genre & Form, Popular Culture, Literary Theory, Women's Studies, World Literatures, African-American, Colonial, Revolution & Early National, Transcendentalists, 1865-1914, 20th & 21st Century, Medieval, Early Modern & Renaissance, Long 18th Century, Romantics, Victorian, 20th & 21st Century, Adventure & Travel Writing, Children's Literature, Comics & Graphic Novels, Drama, Narratology, Poetry, Aesthetics, Anthropology/Sociology, Classical Studies, Cultural Studies, Film, TV, & Media, History, African & African Diasporas, Asian & Asian Diasporas, Australian Literature, Canadian Literature, Caribbean & Caribbean Diasporas, Indian Subcontinent, Eastern European, Mediterranean, Middle East, Native American, Scandinavian, Pacific Literature
Event Date: 2020-03-12 to 2020-03-13 Abstract Due: 2019-09-13

Threshold, Boundary, and Crossover in Fantasy
Organised by the University of York Fantasy Discussion Group

To be held in York 12th-13th March 2020

Keynote speakers: Professor George P. Landow (Emeritus Professor, Brown) and Dr. Rob Maslen (University of Glasgow)

‘There was nothing Lucy liked so much as the smell and feel of fur. She immediately stepped into the wardrobe and got in among the coats and rubbed her face against them, leaving the door open, of course, because she knew that it is very foolish to shut oneself into any wardrobe. Soon she went further in and found that there was a second row of coats hanging up behind the first one. It was almost quite dark in there and she kept her arms stretched out in front of her so as not to bump her face into the back of the wardrobe. She took a step further in – then two or three steps – always expecting to feel woodwork against the tips of her fingers. But she could not feel it.’ – C.S. Lewis, The Lion, the Witch and the Wardrobe, first published in 1950.

We invite proposals for 20-minute papers on the subject of ‘threshold, boundary, and crossover’ in fantasy. Creative interpretation of the theme is encouraged, and particular precedence will be given to papers looking at interdisciplinarity in fantasy studies. We wish to push the limits of how we interpret and understand fantasy as a categorical term, interrogating the idea put forward by art historian Walter Schurian that ‘the fantastic can also be found in other fields of art, such as literature, architecture, music and film; fantastical tendencies and currents can even be observed in the natural sciences, for example in the form of unusual, chance opinions and theories.’ As such, we welcome papers from scholars working in any field or discipline. Some thematic prompts include, but are not limited to:


Interdisciplinarity
Intertextuality
Cross-cultural exchange
International exchange
National fantasies
Gender
Selfhood, self and other
Children/ YA/ Adult
Journey, pilgrimage, passage
Ancient/ Medieval/ Modern
Between worlds
Frames, framing devices and literal thresholds
Hermeticism
Retellings
Portals and transportation
Genre, categorisation, classification
Ideas of here and there
Fin-de-siècle
Youth and age
Fantasy and science fiction

To submit a proposal, please send (in one document) a biography of c. 100 words and a paper abstract of no more than 400 words to fantasythreshold2020@gmail.com by September 13th 2019. Queries can be directed to this email address also.

N.B. We also welcome and encourage non-traditional forms of participation and presentation, i.e. performances, cosplay, lightning presentations (1 slide & 5 minutes), speed panels, poster discussions, and other. For non-traditional presentations, please outline your delivery proposal when submitting.

https://fantasythreshold2020.home.blog/

fantasythreshold2020@gmail.com

Alexandra Gushurst-Moore, Jun Qiang, Mariam Hale