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ABSTRACT Nov 30
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Journal Special Issue -- Untranslatability: Theory, Practice and Politics

Organization: Journal of Comparative Literature and Aesthetics
Categories: Postcolonial, Hispanic & Latino, Comparative, Interdisciplinary, Popular Culture, Literary Theory, World Literatures, Aesthetics, Anthropology/Sociology, Classical Studies, Cultural Studies, Environmental Studies, Film, TV, & Media, Food Studies, History, Philosophy, African & African Diasporas, Asian & Asian Diasporas, Australian Literature, Canadian Literature, Caribbean & Caribbean Diasporas, Indian Subcontinent, Eastern European, Mediterranean, Middle East, Native American, Scandinavian, Pacific Literature
Event Date: 2020-12-15 to 2020-12-16 Abstract Due: 2020-11-30

JOURNAL OF COMPARATIVE LITERATURE AND AESTHETICS
(Vol. 43, No. 4, Fall 2020)

SPECIAL ISSUE
Untranslatability: Theory, Practice and Politics

Guest Editor: Deepshikha Behera, Department of English Literature (School of Literary Studies), The English and Foreign Languages University (EFLU), Hyderabad


Translation is an activity that marks the differences which surface in cross-cultural encounters. It seeks to negotiate these inevitable differences to help us understand language-cultures that are (not) ours, or comprehend an ‘other’ who is (not) us. The non-negotiable differences then draw us to the titular question, “How does the pursuit of finding an equivalence fare in this process?”. It is in these gaps of translation that we encounter the untranslatable, that which cannot be comprehended or translated. Amidst the ongoing discussions around World Literature, that thrives on translation, untranslatability disrupts the presumed coherence in the very process and makes us aware of the irreducible differences latent within alternate ways of expression.

This Special Issue aims to initiate a discussion on the various tenets of Untranslatability: epistemological, semiotic and aesthetic concerns that shall enable us to understand translation; the process and it’s philosophy in a nuanced and novel manner.

Untranslatability, which has long been studied as an obstacle or a hurdle in the act of translation; needs to be approached from alternate trajectories that see it as a leeway enabling the indigenous and vernacular discourses to retain the exclusive differences that mark the identity of their language-cultures. Can we study this “right to untranslatability” as a way of resisting the Anglocentric, monolingual way of perceiving World Literature, by asking questions pertaining to what constitutes the world and the region, the global and the local? This raises further questions on how we understand and see the world, which is inescapably tied to the language-culture(s) we are a part of. The problems locating the ‘world’ in “World Literature” and the importance for ‘regions’ and vernacular discourses to mark their presence within the ‘world’ along with discussions around the trajectory and reception of regional and vernacular texts and genres as they travel across the world are welcome. What happens to the untranslated texts and the untranslatable ideas in the niche of World Literature is an aspect this issue seeks to engage with. The problem of  a myopic view of World Literature, and the epistemic violence induced in the process of translation which is baked by a social and political power shall be addressed. It shall also focus on the formation of ‘untranslatable’ and initiate a semiotic study of language, its use, the process of meaning making within a language and the signs and symbols particular to a language-culture. The importance of studying the notion of referentiality in language and its immense contribution in understanding the roots of untranslatability shall be another crucial line of inquiry.

 The special issue on Untranslatability invites research papers, articles and book reviews which focus on, but are not limited to the following sub themes to justify the relevance and scope of the issue:

1. Translation as a Cross-Cultural Transaction
2. Negotiating Differences across Language-cultures
3. Self/Other in Translation
4. Problems in Translation
5. Formation of Untranslatable
6. Politics of Untranslatability
7. Language and Meaning Making
8. World Literature and Regional Literatures
9. Indigenous Narratives
10. Traveling Genres Across Frontiers
11. Epistemological Concerns of World Literature
12. Vernacularization of World Literature
13. ‘World’ in World Literature
14. ‘Region’ within the ‘World’
15. Dialectics of Global and Local
16. Signs, Symbols and Referentiality
17. Aesthetic concerns of Untranslatability
18. Interminability of Translation

Guidelines: All the papers must be sent to jclaindia@gmail.com, beheradeepshikha@gmail.com. Last date of submission: 30 October 2020. Final date of intimation: 10 November 2020. Format/ Font: MS Word in Times New Roman (MLA 8th Edition). Endnotes are preferred over footnotes as they are easier to process. All the papers must be original, unpublished and written within 3600-5000 words. An abstract in 150-250 words and 4-5  keywords should be embedded within the paper. Each paper should include a cover letter suggesting the name of the author, along with a brief bio, not exceeding 50 words. The name of the author and co-author (if any) must not be written or suggested anywhere except the cover letter. The paper should be original and must have a proper bibliography and work cited section. An acknowledgment shall be sent upon receipt. Any suggested revisions by the editor and peer reviewers must be returned in two weeks without delay.  Simultaneous submissions are not allowed.

ABOUT THE JOURNAL

The Journal of Comparative Literature and Aesthetics (ISSN: 0252-8169) is a quarterly, peer-reviewed journal published by the Vishvanatha Kaviraja Institute of Comparative Literature and Aesthetics, India since 1977. The Institute was founded on August 22, 1977 coinciding with the birth centenary of legendary philosopher, aesthetician, and historian of Indian art, Ananda K. Coomaraswamy (1877-1947).
The Journal — published quarterly as Spring (February), Summer (May), Autumn (August), and Winter (November) issues — is committed to interdisciplinary and cross-cultural issues in literary understanding and interpretation, aesthetic theories, conceptual analysis of art, literature, philosophy, religion, mythology, history of ideas, literary theory, history, and criticism.
The Journal has already published legends like Rene Wellek, Harold Osborne, John Hospers, John Fisher, Murray Krieger, Martin Bocco, Remo Ceserani, J.B. Vickery, Menachem Brinker, Milton Snoeyenbos, Mary Wiseman, Ronald Roblin, T.R. Martland, S.C. Sengupta, K.R.S. Iyengar, V.K. Chari, Charles Altieri, Martin Jay, Jonathan Culler, Richard Shusterman, Robert Kraut, T.J. Diffey, T.R. Quigley, R.B. Palmer, Keith Keating, and many renowned scholars.
JCLA is indexed and abstracted in the MLA International Bibliography, Master List of Periodicals (USA), Ulrich’s Directory of Periodicals, ERIH PLUS, ISI, Philosopher’s Index, EBSCO, UGC-Inflibnet, ProQuest, and Gale (Cengage).
Celebrated scholars of the time like Rene Wellek, Harold Osborne, Mircea Eliade, Monroe Beardsley, John Hospers, John Fisher, Meyer Abrams, John Boulton, and many renowned foreign and Indian scholars were Members of its Editorial Board.

https://en.wikipedia.org/wiki/Journal_of_Comparative_Literature_and_Aesthetics

jclaindia@gmail.com

Viraj Shukla