EVENT Jun 16
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Call for Chapter Proposals: (CFP)

Event: CFP
Categories: Digital Humanities, Comparative, Lingustics, Science, Engineering, Miscellaneous
Event Date: 2024-06-16 Abstract Due: 2024-03-03


I am in the process of editing a forthcoming publication entitled “Transforming Cinema with Artificial Intelligence”, to be published by IGI Global.


In an era of technological advancements rapidly reshaping industries, the emergence of Artificial Intelligence (AI) in the cinema industry marks a climactic transformation. The swift integration of AI technologies has revolutionized filmmaking processes and opened new vistas for creative expression and audience engagement. This book, “Transforming Cinema with Artificial Intelligence," aims to delve into the dynamic intersection of AI and cinema, highlighting how AI is redefining the art and science of filmmaking. We seek to explore the comprehensive impact of AI across various aspects of cinema, from the inception of ideas to their realization on the screen and their profound influence on the audience's cinematic experience.

This book seeks to provide a comprehensive understanding of how AI technologies like Machine Learning, Deep Learning, Reinforcement Learning, and Natural Language Processing are revolutionizing the film industry. Covering a wide range of topics, including AI in script development, cinematography, special effects, film editing, sound design, viewer preferences, data analytics, and much more, the goal is to offer insights into the integration of AI technologies in creative processes and their implications for the future of cinema.

Target Audience
This book aims to bridge the gap between theoretical exploration and practical application, offering valuable insights for both theoretical understanding and practical implementation in cinema and AI. The book is ideally suited for: Scholars and students in film studies, media and communication, artificial intelligence, computer science, and related fields who are exploring the integration of AI in creative arts and cinematic technologies; Film industry professionals who are keen on understanding and applying AI technologies in various stages of film production and post-production; Professionals in AI, machine learning, and related tech fields who are working on or interested in developing tools and applications for the cinema industry; Experts who analyze the evolution of film and media are interested in how AI is reshaping storytelling, cinematography, and the overall film experience. Further, this volume will offer valuable perspectives to enthusiasts and the general readership, particularly those fascinated by the transformative impact of Artificial Intelligence on the cinematic landscape, offering a comprehensive understanding of AI's role in reshaping the contemporary film industry.

Recommended Topics
• AI-Driven Narrative Analysis, Story Development, and Screenwriting • AI and Interactive Storytelling • Film Editing and AI-Based Editing Tools • AI in Sound Design • AI in Film Marketing • AI in Film Posters and Social Media Visuals • The Role of AI in Film Criticism • AI in Animation Film • Film Restoration and AI • AI and the Future of Independent Cinema • Location Scouting and Set Design via AI Technologies • AI Applications in Cinematography and Camera Automation • Robotics and AI in Special Effects and Practical Effects • AI-Driven Color Grading and Visual Effects Enhancements • Data Analytics for Viewer Preferences and Habits • Personalized AI Recommendations in Streaming Services • Case Studies of Prominent Film Projects Utilizing AI Applications • The Impact of AI on Creative Roles and Ethical Considerations • Future Trends in AI Technologies and Their Potential Impact on the Film Industry

Please visit https://www.igi-global.com/publish/call-for-papers/call-details/7194 for more details regarding this publication and to submit your work.


Important Dates
March 3, 2024: Proposal Submission Deadline
March 17, 2024: Notification of Acceptance
June 16, 2024: Full Chapter Submission



Assistant Professor - Ondokuz Mayis University, Faculty of Communication / Department of Radio, Television and Cinema




Dr. Ugur Kilinç