Call for Chapters: Spider-Man's Villains
Organization: Texas Tech University
We invite contributions to an edited volume that delves into the complex and often nuanced villains of the Spider-Man universe. From the iconic Green Goblin to the morally ambiguous Venom, these characters have captivated audiences for decades, reflecting societal fears, psychological complexities, and the struggles between good and evil. This volume is being published by the University of Mississippi Press.
Topics of Interest: We welcome a diverse range of scholarly analyses, including but not limited to:
- Character Analysis: In-depth explorations of specific villains and their evolution over time.
- Cultural Context: How societal issues, such as class, race, and identity, shape villain narratives.
- Psychological Perspectives: The motivations and psychological profiles of Spider-Man villains in films, animated series, and video games.
- Comparative Studies: Analyzing Spider-Man villains in relation to other superhero antagonists.
- Media Adaptations: The portrayal of Spider-Man villains in films, animated series, and video games.
- Feminist and Gender Studies: The role of female villains and their representation within the Spider-Man lore.
- Mythology and Symbolism: The archetypal elements present in the characterization of Spider-Man's enemies.
- Fan Culture and Reception: How fan communities interpret and engage with these villains.
Submission Deadlines:
- Abstracts: Please submit a 300-word abstract outlining your proposed chapter, along with a brief bio (150 words) by March 31, 2025 to matthew.mceniry@ttu.edu with the Subject "Spider-Man Villains Chapter Proposal_Author Name".
Important Dates:
- Abstract Submission Deadline: March 31, 2025
- Notification of Acceptance: April 14, 2025
- Full Chapter First Draft Submission Deadline: August 31, 2025
- Final Draft Submission Deadline: November 30, 2025
We look forward to your contributions to this exciting exploration of Spider-Man's villains, shedding light on their impact and significance in both the comic book world and broader cultural narratives.
Matthew McEniry
