The Politics and Ethics of Literature in French Thought (Panel)


Comparative Literature / French and Francophone
In Person Only: The session will be held fully in person at the hotel. No remote presentations will be included.

Eric Adamo (McMaster University)

The guiding thread of this panel develops around a curious remark by Jacques Rancière that would seem to amend a classically Aristotelian thesis: “man is a political animal because he is a literary animal,” the fundamental condition of which is the “excess of words” constitutive of the human animal’s politicalness. Literature (or poetry) has long been placed in close proximity to politics, as we find in Plato’s Republic, where philosophy and literature—and, more generally, philosophy and politics—turn out to be perennial adversaries.

That matters of literature bear upon the question of politics has featured in continental French thought for quite some time, considered in terms of the milieu of différance and event in Jacques Derrida; le partage du sensible and dissensus in Jacques Rancière; and the unpresentable and testimony to le différend in Jean-François Lyotard, among others. More recently, Geoffrey Bennington has taken up the question of the unreadable as that condition that keeps reading open to the event of alterity.

What is at stake, then, in the complex relationship between literature and politics? How does literature bear witness to, or otherwise reconfigure, who counts as a speaking being, what is recognized as speech, and/or what falls out of discursive legibility as mere noise, excess, or silence? And how might mis-reading, mis-translation, and mis-understanding contribute to the politics of literature?

This panel invites reflection on the figures, scenes, and events of textuality that respond to these and related questions. All critical approaches are welcome for this in-person panel.



This panel explores the relation between literature and politics through the claim, following Jacques Rancière, that politics is constitutive of literarity or the "excess of words" that structures who counts as a speaking being and what is recognized as speech. Engaging continental French thought from Jacques Derrida, Jean-François Lyotard, and Rancière to Geoffrey Bennington, it examines how regimes of intelligibility shape political appearance and how misreading, mistranslation, and unreadability participate in the constitution of the political.